analog

Terrible things have happened to MIDI

I’ve put together a little album of music I recorded earlier on in my PhD when I was experimenting with using my modular to control and sequence a Waldorf Blofeld synthesiser via MIDI. The recordings are all edits from longer improvisations and tend towards fairly abstract and sometimes disastrous outcomes.

The release is also available as a tape - high bias real-time recorded 25 min per side cassette. Edition of 20

Interview: Warren Burt

Photo: Roberto Laneri.

Photo: Roberto Laneri.

In late 2019 I was lucky to have the opportunity to sit down and chat with Warren Burt at Brunetti’s in Carlton (Melbourne). Warren has made incredible contributions to electronic music, in both the US and Australia for several decades now as a artist, teacher, writer, instrument designer and organiser.

Warren managed to cover a lot of territory (some of it in one breath!) including his experiences as a student and teacher at Albany, UC San Diego, Latrobe Uni, Clifton Hill Music Center and now Box Hill Institute, some of his ideas around electronic music composition, analog systems, improvisation, and instrument design, and association and encounters with a range of other well known electronic music pioneers including Serge Tcherepnin, Pauline Oliveros, Rich Gold, and Randy Cohen as well as some of Warren’s projects like Plastic Platypus and the Aardvarks IV instrument.

You can find out more about Warren at his website.

If you are interested in knowing more about Australian electronic music history Warren wrote an excellent paper on live electronics in Australia back in 1991.

Warren has also kindly allowed me to share one of his early pieces created with his Aardvarks IV instrument.

All Hell Broke Loose One Sunday Afternoon when the Checker Demon and His Buddies Hung Out At Dinty Moore’s Saloon. Warren Burt 1972